Helen Horgan, Irish, interviewed by Massimo Fotino, exclusive for The diagonales
Being on the road during the lockdown period can be a dangerous and distressing adventure, or it can lead to a lot of things you might never have seen. For example, welcome, solidarity. A deep region of South Italy and its people, seen by an unexpected guest.
Trovarsi in viaggio durante il periodo di lockdown può essere una avventura pericolosa e angosciante oppure può fare scoprire molte cose, che forse mai si sarebbero viste. Ad esempio l’accoglienza, la solidarietà. Una profonda regione del Sud Italia e la sua gente, visti da un’ospite inaspettata.
HELEN HORGAN, Irish from Cork, deals with visual arts, a subject for which she studied DFA Fine Art (University of Hertfordshire), Contemporary European Philosophy (University College Dublin), Visual Arts Practice and Graphics (Dunlaoghaire, Dublin) Dip Design (Letterkenny R.T.C, Donegal).
Since 2009 he has exhibited his works in many prestigious galleries in Germany (“Artspring Berlin“), Norway (“Kunstnarhuset Messe“), United Kingdom (Tate Modern, London) and of course Ireland.
For his work, he has received many awards and participated in various Residencies in several European countries. Among his publications: “Susan MacWilliam: Modern Experiments“, Uilleann: West Cork Arts Centre, Enclave Review, 2018; “In Translation: The Legs Foundation” Paper Visual Art, Niamh Dunphy, 2014; “In The Black” Enclave Review, Sarah Kelleher, 2013; “The Horse’s Mouths” Paper Visual Art Journal, Sean O’Sullivan, 2011. Further information at: www.helenhorgan.ie and www.thelfttlibrary.com.
HELEN HORGAN, irlandese di Cork, si occupa di visuale, tematica per la quale ha studiato DFA Fine Art (University of Hertfordshire), Contemporary European Philosophy (University College Dublin), Visual Arts Practice e Graphics (Dunlaoghaire, Dublin) Dip Design (Letterkenny R.T.C, Donegal).
Dal 2009 esibisce i suoi lavori in molte prestigiose gallerie tra Germania (“Artspring Berlin”), Norvegia (“Kunstnarhuset Messe”), Regno Unito (Tate Modern, Londra) e naturalmente Irlanda.
Per la sua attività ha ricevuto molti premi e partecipato a varie Residencies in più paesi europei. Tra le sue pubblicazioni: “Susan MacWilliam: Modern Experiments”, Uilleann: West Cork Arts Centre, Enclave Review, 2018;“In Translation: The Legs Foundation” Paper Visual Art, Niamh Dunphy, 2014;“In The Black” Enclave Review, Sarah Kelleher, 2013; “The Horse’s Mouths” Paper Visual Art Journal, Sean O’Sullivan, 2011. Ulteriori informazioni su: www.helenhorgan.ie e www.thelfttlibrary.com.
